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Asvirus 36, 49, 58, 27
artist statement:
“…I’m constantly evolving the array of forms/elements within the visual language I use throughout my work. Each element is not intended to have a singular or literal interpretation. For example, dense amorphous void like shapes represent cancer, glaciers, particles, pathogens, black holes, islands, etc.. These elements are more so often than not, intended to express intrusive dominating and destructive foreign bodies, however, in the same breath they can and should be viewed as neutral and peaceful entities. This type of duality, contradiction and conflict permeates through the work. There is an intended unfinished quality to the drawings. My aim is to imply a sense of growth and/or movement. I leave the work “unfinished” whereby lines that are not actually made, but still yet, a viewers mind may subconsciously make a leap visualizing them, even though the marks are not present…”
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reconciling infrastructural artefacts by roberto boettger
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Nuovo accesso laterale alla Mole Antonelliana
workshop MOLZILLA - 011+
Fabio Cappello
Maria Vittoria Marulli
Ruth Savio
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Elevations of falling water
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waves
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Life anthem
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Tham & Videgård Arkitekter - Kalmar museum of art, 2008. Previously, 2.
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Quiet City
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Alberto Aranda / Uabc-Mexico
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Dazzle Camouflage on navy ships by Norman Wilkinson in WWI made to mislead the enemy.
